Harry Dry is my favorite copywriter.
He obsesses over brevity and clarity.
And leverages visuals to enhance both.
As Harry says:
âIf you have three noâs, youâve probably written a lot of rubbish. If you have three yesâs, youâre on to somethingâ
Letâs dive into each.
But first, hereâs an ad that does all three:
If they canât visualize it, they wonât remember it.
The more concrete and specific the visual, the better.
For example, most companies write copy like this:
You canât visualize the first. The second is ambiguous. The third is too technical.
Here are better examples of each:
Can your words be proven to be true or false?
This weeds out meaningless copy like this:
Seriously, pause for a moment and ask what any of the above actually means in concrete terms.
They're actually completely meaningless statements.
To avoid this mistake, point to concrete facts and examples. Donât just describe.
Letâs illustrate with an example:
Youâre setting up a date for your best guy friend. Most people say things like:
Those are all subjective descriptions that tell you nothing about him. Give that description to 10 people, and they'll all picture someone else.
But, instead, if you say:
Now they have a real idea of who this person is, what theyâd be like to be around, and whether they might be someone theyâd be interested in.
Just like Heinz can prove that people put competitorsâ ketchups in Heinz bottles:
Draw a line in the sand and say something unique to you
That makes someone buy your product instead of your competitors.
For example, in an old print ad, Volvo pointed out that their odometers have more numbers than everyone else:
Note: Volvo used âspeedometerâ because âodometerâ was an uncommon word at the time. They define it in the body copy.
Speaking of Volvos, Chevrolet points out that Corvettes are the fuel for countless songs (unlike basically any other car):
Keep rewriting until you get three yeses.
I highly recommend watching the entire interview with Harry Dry on How I Write.