Growth Newsletter #286
For startups and small businesses, there seems to be a deep chasm between two schools of ābrandā thought: one thatās entirely too small-minded and another thatās way too big-picture to feel applicable.
What I mean by this is, ābrandingā is either shorthand for a logo and maybe some colors. Or it becomes some far-off, completely useless anecdote about larger-than-life legends like Nike, Apple, or Liquid Death.
But Iāve spent the last ten years working on brands of pretty much every size and industry (skewing more toward SMBs than enterprise-level companies) and the tenets of a strong brand identity remain largely the same. Only the budgets and brand awareness levels change.
But startups need particularly sharp, well-defined brand identities, maybe even more than bigger companies do.
Because if youāre entering a saturated market, competing against more established names, or selling something thatās niche or nuanced, you need serious discipline to build a brand that helps you grow.
Without a solid understanding of what you are (and especially what you arenāt), itās easy to fall victim to shiny-object syndrome and give prospects whiplash from continual language pivots and visual inconsistencies.
So todayās newsletter will take an abridged look at the basics of brand identity, especially as they relate to startups. For more depth and detail, thereās plenty to sink your teeth into in the Growth Program 2.0.ā
Itās my hope that this newsletter can share useful insights that ābridge the gapā between āBrand identity is a logoā and another Liquid Death think piece, especially for startups in those early, soul-searching stages.
ā Gil
This week's tactics
Four Forces Behind a Strong Brand Identity
Insight from Gil Templeton ā Demand Curve Staff Writer
Before we get into the nitty-gritty, letās talk about why brand building is so much easier said than done. And why everyone can point at the greats and say āYeah, just do that!ā But very few can actually do it when push comes to shove.
It starts with nailing your product, of course. Then itās about making sure your mission statement, story, voice, and design are all rowing together to build confidence in consumersā minds. More on those in a bit.
āThe personality of a product [or brand] is an amalgam of many things ā its name, its packaging, its price, the style of its advertising, and above all, the nature of the product itself.ā ā David Ogilvy, Iconic Ad Man
While the essence of this quote is accurate, David Ogilvy was living in far simpler times back in the 60s and 70s.
Heād surely short-circuit if he saw brand teams A/B testing TikTok hooks for three-second attention spans or if he saw a growth team debating whether their mascot needed its own LinkedIn profile. But these reflect the everyday questions asked of modern brands.
The hard part is continually ushering your brand through a thousand different needs and asks, protecting its integrity and even sharpening its essence along the way.
The best way to stay the course through these constant challenges and questions is by aligning on a few rock-solid cornerstones of your brand identity.
Letās talk about building that solid foundation (that will still need plenty of protecting and shepherding along the way).
1. Mission Statement
This is your North Star. Itās a short description (one bold and audacious sentence, often starting with the word ātoā) that lays out your big-picture, perfect-world goal. It can serve both an internal and external purpose.
- Internally, it guides strategic decisions about your product, business model, ideal audience, and acquisition channels, and even the people you hire or partner with.
- Externally, it communicates what your company cares about, in order to better relate to customers. (But itās not mandatory to make it public-facing).
Below are a few examples of well-known companiesā missions:
- āSlack: To make work life simpler, more pleasant, and more productive.
- āTesla: To accelerate the worldās transition to sustainable energy.
- āOpenAI: To ensure that artificial general intelligence benefits all of humanity.
- āStripe: To increase the GDP of the internet.
- āShopify: To make commerce better for everyone.
Notice how these are massive, daring missions, evocative of a BHAG (or a Big Hairy Audacious Goal). Slack doesnāt talk about making the best work messaging app. Nor does Tesla say a word about cars.
This is because your mission statement should be an incredibly high-level statement, no need to stoop down to the mere products or services you offer.
The bigger and less attainable it seems, the better.
š” Exercise: Use this prompt to craft your mission statement:
- If we completely succeed at what weāre building, how will the world (or our industry) look different because of it?
2. Brand Story
Think of your brand story as a more detailed expansion of your mission statement. Itās a narrative about how your company came to be and why it does what it does.
The most effective brand stories stir emotion. As humans, weāre drawn to stories because they engage and inspire us. They help us process information in a much more memorable way than simply reading a list of statistics.
Remember, without tension or conflict, there is no story. So make sure this āenemyā or problem is turned up in the mix.
There tend to be two common approaches for framing a brand story:
- Origin: This approach focuses on how a company came to be and the people behind it. Itās best for those with interesting or unusual backgrounds. For instance, a broke dumpster diver named Sophia Amoruso opened an eBay store for her vintage finds, which eventually became the Nasty Gal fashion brand.
- Consumer-focused: This approach places customers at the center of the brand story, describing how they needed a solution to make something possible or make something go away. These stories work best for companies that have more straightforward origins, e.g., you saw an unmet need and created a product to address it.
Neither approach is better than the other; theyāre just different storytelling methods. That said, both approaches should tie your companyās success to the customer in a direct way.
Hereās an example of an origin story from the eco-friendly toilet paper company Who Gives A Crap:ā

Using the origin approach outlined above, Who Gives A Crap tells the story of how its founders were appalled to learn about poor sanitation around the world, which led them to create a crowdfunding campaign.
The story then addresses its customers by noting how the companyās supporters have helped build toilets and improve sanitation in the developing world. So despite initially focusing on its founders, Who Gives A Crapās story positions customers as a key to its success.
Companies that donāt have an emotionally compelling history might struggle to create an origin story that feels authentic. In that case, itās better to write your brand story using a consumer-focused approach.
Hereās an example from BIC, the maker of ballpoint pens, lighters, razors, etc.

Notice how BIC describes itself as giving consumers āthe power of creative expression.ā The story revolves around BICās goal to āanswer a fundamental consumer needā rather than details about its founders. Itās inspiring yet grounded.
Regardless of how your company got started, your brand story shouldnāt be an advertorial to help get your product onto more shelves. Give it some emotional weight, so it can resonate more deeply with your audience.
Your brand story doesnāt need to be long. Who Gives A Crapās is 235 words; BICās is 140. Aim for under 250 words. Keep it simple.
š” Exercise: Consider these following questions when brainstorming or writing your brand story:
- How was your product inspired by a very real need or desire?
- What value does your product provide to people who buy it or use it?
- Why should customers choose you over a direct competitor?
3. Brand Voice
Your brand voice is how your company would sound if it were a person. It comes across in all your companyās communications. And I mean ALL of them.
A single adjective like ācasualā isnāt enough. You should specify more details around your brandās tone of voice and the vocabulary it uses.

Try creating a brand voice chart to narrow down what your brand sounds like. Hereās one weāve created for a fictional company. Use it as a template for yours.
Three key DOs and DONāTs are a good number. When you start getting into four or five tenets of your brand voice, things can either feel nebulous or like a really tight needle to thread.
(Hey, does this headline sound warm, empathetic, hopeful, grounded, and confident?)
Oh, and donāt fall into the common trap of using āauthenticā as a key tenet of your brand voice. In my opinion, itās a throwaway descriptor that doesnāt provide helpful guidance. QUICK: name a couple brands that have an āauthenticā tone. Yeah, I thought so.
It also gives everyone on the team license to use their āauthenticā tone which can get wily, fast.
Choosing your brand archetype can help define your role with the customer and influence your voice. Choose from this set of twelve well-defined, agreed-upon personalities below, which do a good job at encompassing pretty much every angle a brand can take.

One thing I like to explore when it comes to brand voice is finding the right ābrand museā that embodies our spirit. Got a manly beef jerky brand? Maybe your muse is Ron Swanson. Got an app thatās snarky and disruptive? Your muse might be Deadpool.
Putting a face to this exercise can really help teams grasp the tone. You can hold your messaging up against your muse as a litmus test and ask, āIs this something [our muse] would say or not?ā This can be incredibly helpful in giving your team guidance.
4. Brand Design Basics
Iām not going to act like I can cover all of brand design in 1/4 of a newsletter, so this section is here to give you background on the design needs your brand might have right out of the gate.
Brand design revolves around the visual elements that represent your company. It should be as memorable and distinct within your category as possible.
Here are some of the most important, common components of your brand design (if you want to reference them for a project scope with a designer or art director):
- A unique and recognizable logo design
- A defined color palette with 2ā4 colors
- 2-3 complementary typefaces
- Company iconography (these are the graphic symbols that represent specific actions, like a shopping cart, messaging bubble, favicon, packaging callout, etc.)
- Guidance on and examples of imagery, photography, and other elements like textures
- A website that combines all of the above assets in a cohesive manner

Compared to the other branding components weāve highlighted, this part might be where things get a little expensive. Thatās because strong brand design requires a high level of craft and creativity.
And that can get expensive (tens of thousands of dollars & up) if you go with a high-end agency or design shop.
So if your company is in its nascent stages, we recommend working on your mission statement, story, and brand voice yourself and spending no more than $10,000 on brand design.
If youāre on a super tight budget, use 99designs, Upwork, or Fiverr and focus on a logo, brand colors, typography, and iconography. These platforms will not give you the best assets in all likelihood, but they at least offer a āminimum viable brand,ā and you can invest more once you can afford it.
Once youāve proven viability or received your first round of funding, that might be a good time to level up and ensure your design is airtight and professional.
āGil Templetonā
Demand Curve Staff Writer
Community Spotlight
News and Links
Something fun
Something fun
A scathing letter from the founder of Lululemon, who isnāt happy with the state of the brand today. Heās so mad, he bought a full page in the Wall Street Journal to give them a piece of his mind. Yikes.
.png)





