This tactic is about the juxtaposition of the absurd and the normal.

As Dan Nelken calls them:

1. Twisted visual. Straight line.
2. Twisted line. Straight visual.

When creating ads or promos, maximize the absurdity of either one or the other.

Making both the visual and text absurd makes the ad overwhelming and less powerful. It also ruins your ability to control how they experience the ad.

Let’s illustrate this with examples of both:

Twisted visual. Straight line.

Hook with an absurd visual. One that takes your core idea and takes it to 1,000.

Then, state the core idea plainly with unassuming text.

For example:

The unique leaf catches your eye. You focus on it to discern what it is. You then scan for the text to explain it. You then have the “aha” moment.

Or this eye-catching ad from Sirius:

The basketball-playing punk nun catches your eye. The headline contextualizes it. The footnotes explain it.

Or this hilarious ad for Nicotinell

The old woman lighting a cigarette with a candle is shocking. Your eye then goes to the 42. You’re momentarily confused. You scan the ad, looking for an explanation. The text snaps it all into clarity and makes you laugh.

This tactic is powerful:

1. The visual grabs their attention and piques their curiosity.
2. They scan the rest of the ad for an explanation.
3. The text then contextualizes the image, causing them to close the curiosity loop.
4. Ideally, it makes them feel something, like a laugh.

Now, let’s explore the inverse.

Twisted line. Straight visual.

These ads let the absurdity of the words do the work.

For example, this viral ad from fiverr:

This ad was perfectly timed in 2023, when everyone feared AI replacing jobs.

The gigantic text makes you think it's a warning about the horrors of AI... but the juxtaposition with the smile on her face confuses you.

You then read the smaller text, and it makes you chuckle.

Then there’s this hilarious and beautiful storytelling ad from Mount Sinai Hospital:

This is one of my favorite ads. It again makes you think it’s going one way, and leaves you with a laugh. The simple image of a child on a beach enhances the emotion of the mini-story.

Then there’s this classic ad from Porsche:

I love that this ad starts with a fact that makes you say, “Okay, so what?” and then leaves you with a funny twist. You then notice that the car has a tire lifted.

Remember: It’s key for these ads to have fairly simple images because you want the words to be the star of the show. The image contextualizes them.

Okay, so what?

The next time you’re creating an ad, a social post, or even a section of a landing page, try both:

1. Twisted visual. Straight line.
2. Twisted line. Straight visual.

Set a timer and create a few variations for #1. Then do it again for #2.

Play with the design, fonts, and placements to control how the person experiences the ad.

For more ad inspo, check out our ever-growing Ad Vault. And for more creative advice on writing great headlines, check out A Self-Help Guide for Copywriting by Dan Nelken.

Ironically, I won't waste time jumping into an example.

Guinness needs to be poured slower than every other beer (here’s why). Instead of figuring out a way to pour it faster, they’ve leaned into this slogan:

My personal favorite is how Stella Artois leans into a powerful psychological bias:

The more something costs, the more people value it.

This is why I love their slogan, “Reassuringly expensive,” and the clever ads that go along with it:

We all know Buckley’s famous line: “It tastes awful, but it works.”

This is clever because people are more likely to believe its claims of potency. After all, it tastes so weird and medicinal. (I’ve written previously about how Red Bull uses both the price and taste to its advantage.)

And lastly, Avis was famous for reframing their “number 2” position as a positive with “We try harder.”

They know people default to the market leader, so they decided to address that head-on and turn it into a benefit.

Here’s a swipe file of a bunch of their ads leaning into that concept.

To do this, you need to decide what you’re not

• Stella decided they’re not a budget beer for the everyman.
• Buckley’s decided to keep their product tasting terrible.
• Nintendo decided to make the Switch portable (and slower), instead of competing directly with Xbox and Playstation on performance.
• Tesla decided only to make electric vehicles. No hybrids. No gas cars. No fuel cell vehicles.

The framework here is:

1. Decide/figure out what you aren’t.
2. Use that to figure out what you are (it’s easier to invert).
3. What are the downsides of that?
4. How do you flip that on its head?

We all suck at something.

You might as well make it work for you.

It’s human nature.

Very few people (and companies) are willing to:

• Admit their flaws
• Turn people away
• Upset people

It’s part of why being extremely candid with your flaws can be so powerful.

Because others aren’t.

Be willing to insult yourself

It’s incredibly bold to insult your product on a quality many consider important.

Like this classic VW ad calling their cars ugly:

Or this one calling their cars slow:

I love the old VW because they were brave enough to draw a line in the sand:

“We focus on reliability and practicality. We’ll let all the other brands fight over the fastest, the prettiest, and the most advanced.”

Side note: Today, nearly all car companies sell all kinds of cars. Lamborghini sells an SUV. Volkswagen sells luxury models. Hyundai sells trucks. I suspect this is why their advertisements are all so boring and similar now.

Being candid with your flaws works for a few reasons:

1. It builds trust. If you’re willing to be candid about your product’s flaws, people trust you’re telling them the truth about its strengths.
2. It tells you who it’s for. We all want a product that’s tailored to our specific needs. Yet most companies try to be all things to all people.
3. A flaw is also a strength. There are always trade offs. When you make something better at one thing, it gets worse at others. If your car is pretty, it’s probably expensive. If your car is fast, it probably uses a lot of gas. If you car has room for 7, it probably will be filled with kids.

This Atoms’ ad tackles these trade offs head on:

Be willing to alienate people

This old SAAB ad takes #2 (telling you who it’s for) to the next level:

Instead of insulting the product, they insulted people who buy their competitor’s product—which candidly, is a small pool of people that can afford to buy a sports car.

The beauty of this ad copy is that it implicitly admits that the SAAB is nobody’s dream car.

That’s a brave thing to admit.

SAAB didn’t even trying to compete with the Ferraris and Corvettes of the world. 

Instead, they put their car in its own category: A practical and affordable car that’s also sporty.

Be willing to turn people away

Do what nearly all other brands are not willing to do:

• Admit your flaws.
• Turn people away
• Upset people who aren’t your target customer

It'll attract the right people to you.

By the way, I’ve been curating and analyzing some of the world’s best ads on my LinkedIn. I’m now starting to use that to fill up our Ad Vault.

The goal is to make it a comprehensive, searchable, filterable resource for the best ads in the world—with quick explanations of the tactics they’re using.

It’s a work in progress, so keep checking back as we fill it up.

Every copywriter will tell you to be as clear as possible.

Today, I’m telling you to be the opposite.

Being cryptic can be powerful.

For example:

The beauty and hilarity of this ad/public service announcement is in its lack of clarity.

It’s not saying: “Don’t drink and drive or else you’ll be arrested, go to the hospital, or maybe even die.”

If it did, it would have elicited an eyeroll.

Instead, the unusual sight of the 4 cars and 4 people hooks and intrigues you.

You read the line. 

You look at them again. 

A light bulb goes off. 

You get it. 

Dopamine surges through your brain. 

You chuckle.

All because they didn’t tell you everything you needed to know. Instead, they presented all the information, left some key things unsaid, and let you bridge the gap.

Some examples of this done well

This is one of my favorite ads from The Economist:

This ad cleverly nods to the horrors of smartphones/watches:

This ad leverages the familiar image of the Hulk’s hand to shortcut understanding:

And lastly, this ad makes you put two and two together to explain the weird scene:

Don’t always be crystal clear

As Charlie Munger said in his 1996 Stanford commencement speech about a lesson his father taught him:

Instead of just pounding it in, he told it to me in a way that required a slight mental reach. I had to make the reach myself in order to get the idea that I should behave like Grant McFayden. And because I had to reach for it, he figured I’d hold it better. And, indeed, I’ve held it all the way through until today, through all of these decades.

These types of ads are intriguing, memorable, and funny. 

Which is hard to say about 99+% of ads.

But hopefully, now, I'll be able to say it about yours 😉

Let’s play a game.

I’ll share 3 ads, and you tell me why I think they're clever.

Okay, here they are (click for high-res):

Figure it out?

That’s right. They each reuse an absurdly common interface: Texts, Calendar, and right-click tooltip.

These ads are clever and effective for a few reasons:

1. Familiarity Bias: We gravitate to familiar things.
2. Peculiarity: They’re completely unignorable. They stand out, demand closer inspection, and are shareworthy:
   1. You don't expect to see a message thread on a sign. You’d walk up to it.
   2. You don’t expect to see a calendar at a bus stop. You’d stop to read it.
   3. You don’t expect to see a tooltip on a photo of a woman’s face. You’d assume it was a mistake, pause to take a closer look, or take a picture of their mistake, and then you’d notice it’s intentional.
3. Memorable: Most people don’t need the product when they see an advertisement. It’s critical that your ads are so memorable that they think of you when they do need it.
4. They’re funny: Each leaves you with a smile.

Why does that all matter?

Consumer neuroscience research has found that highly successful ads score well on three key dimensions:

1. Attention (familiarity + peculiarity),
2. Conversion to long-term memory (peculiarity + humor),
3. Emotional engagement (humor)

These ads hit the mark for all 3.

Here are a few more examples of ads that leverage this tactic

These ads all mimic apps that every Apple user knows:

And these two mimic Instagram DMs and stories:

Here’s McDonald’s using their classic format of replicating their BigMac with color symbols, but doing it in a calendar interface that tells a story:

There are infinite ways you can do this.

The key is to find interfaces or environments that your ideal customer is intimately familiar with then to use them in a completely unexpected context:

• For accountants: Quickbooks, Xero, or Excel.
• For salespeople: Salesforce, HubSpot, Gmail, Spam, or Zoom.
• For gamers: Twitch, Discord, Steam, or Fortnite.
• For lawyers: a golf course.

Or you can leverage the classics that everyone knows: texts, calendars, calls, Windows, email, excel, and PowerPoint.

PS: I couldn't resist an opportunity for a Rick Roll.

It’s a hot day. Your kids bounce off the walls, and you scroll Instagram to de-stress.

You’re hit with an ad for a Springfree trampoline. The ad shows kids double bouncing each other into the air and off the enclosed walls.

Your eyes gloss over, and you start to scroll past.

And then the ad says:

“They’ll be distracted for hours while you lounge peacefully inside.”

You perk up. Now you’re interested.

Finally a way to get some peace and quiet.

When someone buys a trampoline, what they're really buying is peace.

Find the benefit of the benefit

When you write copy to sell your product, sometimes it’s helpful to look at the “benefit of a benefit.”

Note: this is more obvious when the buyer is different than the user, but that's not a requirement. Use this exercise to uncover clever ways to pitch your product.

Step 1:

Write a list of your product’s benefits AND its downsides.

You’ll see why in a second.

Step 2:

Analyze each and ask, “what’s a unexpected / obvious / helpful / interesting / funny / convenient / comforting / amazing / wild / beautiful / exciting / weird… benefit of this benefit/downside?”

In other words, what’s a second-order benefit of that benefit/downside?

It can either be directly for the user (kids on a trampoline) or for the real buyer/user (relaxed parent).

A bunch of examples:

Trampoline → fun for multiple kids → parents get some time off

Sports car → no back seats (drawback) → no room for kids (there's a theme here)

Dog bed → dog will have a place to sleep → he won’t sleep in your bed

Electric car → no visiting gas stations → not caring when gas prices go up

Durex → no unexpected pregnancies → no kids stuff (Durex = cheaper than baby)

Jeep → amazing off road vehicle → can park anywhere

McDonald’s → open 24/7 → only food available on a late party night → good at interpreting drunk people (note this is a benefit of a benefit of a benefit).

You get the point.

Do this simple exercise the next time you write copy for your site, an ad, an email, or a piece of content. List all the benefits and downsides of your product. Then find the second (or third) order benefit of each.

A lot will be rubbish. But you might strike gold.

Shoutout to Dan Nelken’s great book, A Self-Help Guide for Copywriters, for this insight. I highly recommend its process for generating a bunch of great copy ideas.

Harry Dry is my favorite copywriter. 

He obsesses over brevity and clarity. 

And leverages visuals to enhance both.

Here are Harry’s three fundamental rules to good copy:

1. Can you visualize it?
2. Can you falsify it?
3. Can nodody else say this?

As Harry says: 

“If you have three no’s, you’ve probably written a lot of rubbish. If you have three yes’s, you’re on to something”

Let’s dive into each. 

But first, here’s an ad that does all three:

Rule #1: Can you visualize it? 

If you can’t visualize it, you won’t remember it.

The more concrete and specific the visual, the better.

For example, most companies write copy like this:

• Worn by everybody
• Get fit again
• 32GB storage capacity 

You can’t visualize the first. The second is ambiguous. The third is too broad.

Here are better examples of each:

• Worn by supermodels in London and dads in Ohio
• Couch to 5K
• 1,000 songs in your pocket

Rule #2: Can you falsify it?

Can your words be proven to be true or false? 

This weeds out meaningless copy like this:

• Revolutionize an industry
• Quality you can trust
• Next-generation technology
• World-class service

To do this, point at concrete facts and examples. Don’t just describe. 

Let’s illustrate with an example: 

You’re setting up a date for your best guy friend. Most people say things like:

• Smart
• Funny
• Good values
• Tall and attractive

Those are all subjective descriptions that don’t tell you anything about him. But instead if you say:

• Reads every day
• Has made me pee myself laughing
• Volunteers with seniors
• 6’2” and looks like Ryan Gosling

Now they have a real idea of who this person is, what they’d be like to be around, and whether they might be someone they’d be interested in.

And Heinz can prove that people put competitor’s ketchups in Heinz bottles:

Rule #3: Can nobody else say it?

Draw a line in the sand and say something unique to you

That makes someone buy your product instead of your competitors.

For example, Volvo points out that their odometers have more numbers than everyone else:

Note: Volvo used “speedometer” because at the time “odometer” was an uncommon word. They define it in the body copy.

Chevrolet points out that Corvettes are the fuel for countless songs:

Next time you’re writing copy, pass it through this test

1. Can you visualize it?
2. Can you falsify it?
3. Can nodody else say this?

Keep re-writing until you get three yes’s.

I highly recommend watching the entire interview with Harry Dry on How I Write. 

And if you want to get more of Harry’s copywriting tips directly from the man himself, subscribe to his newsletter, Marketing Examples. It’s one of my faves.

It’s a hot day. Your kids bounce off the walls, and you scroll Instagram to de-stress.

You’re hit with an ad for a Springfree trampoline. The ad shows kids double bouncing each other into the air and off the enclosed walls.

Your eyes gloss over, and you start to scroll past.

And then the ad says:

“They’ll be distracted for hours while you lounge peacefully inside.”

You perk up. Now you’re interested.

Finally a way to get some peace and quiet.

When someone buys a trampoline, what they're really buying is peace.

Find the benefit of the benefit

When you write copy to sell your product, sometimes it’s helpful to look at the “benefit of a benefit.”

Note: this is more obvious when the buyer is different than the user, but that's not a requirement. Use this exercise to uncover clever ways to pitch your product.

Step 1:

Write a list of your product’s benefits AND its downsides.

You’ll see why in a second.

Step 2:

Analyze each and ask, “what’s a unexpected / obvious / helpful / interesting / funny / convenient / comforting / amazing / wild / beautiful / exciting / weird… benefit of this benefit/downside?”

In other words, what’s a second-order benefit of that benefit/downside?

It can either be directly for the user (kids on a trampoline) or for the real buyer/user (relaxed parent).

A bunch of examples:

Trampoline → fun for multiple kids → parents get some time off

Sports car → no back seats (drawback) → no room for kids (there's a theme here)

Dog bed → dog will have a place to sleep → he won’t sleep in your bed

Electric car → no visiting gas stations → not caring when gas prices go up

Durex → no unexpected pregnancies → no kids stuff (Durex = cheaper than baby)

Jeep → amazing off road vehicle → can park anywhere

McDonald’s → open 24/7 → only food available on a late party night → good at interpreting drunk people (note this is a benefit of a benefit of a benefit).

You get the point.

Do this simple exercise the next time you write copy for your site, an ad, an email, or a piece of content. List all the benefits and downsides of your product. Then find the second (or third) order benefit of each.

A lot will be rubbish. But you might strike gold.

Shoutout to Dan Nelken’s great book, A Self-Help Guide for Copywriters, for this insight. I highly recommend its process for generating a bunch of great copy ideas.

This is one of my favorite tweets about startups:

Clearly, it resonated with quite a lot of other people, too.

Why?

It summarizes a truth that I immediately got but failed to articulate previously:

Every successful person got lucky, and their success is near impossible to replicate.

Note: Paul Graham says that a founder’s best way to replicate this is to increase their luck surface area by meeting people, writing online, building an audience, living in a major city, etc.

This tweet taps into one of the most powerful ideas behind impactful marketing: relatable truths.

Tapping into relatable truths makes your message more powerful and memorable.

In the book A Self-Help Guide for Copywriters, Dan gives examples of relatable truths you can tap into during Christmas holidays:

Notice how you felt after each of them. Did you find yourself nodding along?

I know I did.

Let’s dive into the different types of relatable truths.

Here are a few ways to categorize relatable truths:

• Context: Truths related to where the message is seen. For example, an ad in LA:

• Holidays/events: Truths related to the current or recurring events such as advertising your product during Valentine’s Day, Christmas, a US election, a recession, or a global pandemic. 
• Industry: Truths related to the specific industry you operate in. For example, startups/business (like Andrew’s tweet), kids toys, dating, clothing, and for marketers:

• Cultural: Truths related to social, societal, or cultural trends. Ranging from:
  • Hype trends: AI, crypto, Clubhouse, BeReal, and Squid Game.
  • Culture shifts: Sustainability, remote work, DEI, personal brands, creator economy, urban diaspora, video > books, anon accounts, and mental health awareness.
  • Technological shifts: Internet, mobile, AI, blockchain, virtual reality/metaverse, 3d printing, quantum computing, and nuclear fusion.
  • Memes: rick rolling, ok boomer… too many to list.

• Human: Truths related to core human behavior and psychology. This is the most broad-reaching and hardest to categorize. For example, how people act in an embarrassing moment:

Spend time brainstorming relatable truths for your product, industry, culture, and context. And add to this list whenever you come across one.

They’ll help your marketing resonate.

Your marketing efforts are wasted if the landing page sucks.

Luckily, it's a good idea to use a proven template rather than get too creative.

Wait, don’t I constantly tell you to be creative?

Yes, 100%, your marketing needs to be creative to stand out.

But creative layouts confuse people.

So, be creative with marketing (ads/content/email) and practical with conversion.

Here's a checklist for nailing the perfect landing page (high-res version):

Thanks to our friends at Tuff Growth for creating this A+ infographic—particularly Sean Tremaine, the genius writer and designer behind it.Let’s dive into each of these sections some more.

✔️ Hero Section:

The hook is everything:

• Header: Clearly state what you do and why it matters.
• Subheader: Expand your headline. How do you do it?
• Image/Video: Visually communicate your product.
• Call-to-Action (CTA): Place an OBVIOUS button that guides the user to the next step.
• Navbar: Key conversion pages/sections only (Pricing, FAQ, Features)—and make it sticky.

✔️ Social Proof #1

Social proof is one of the biggest motivators:

• Display usage numbers or logos of well-known customers to build credibility and trust.

✔️ Benefits/Features Sections:

Features = talking about yourself.Benefits = talking about them.

• Benefit Headers: Clearly state your product or service's main benefits.
• Feature Subheaders: Explain how they get that benefit with your product’s features.
• Image: Use visuals to reinforce the benefits and show your product in action.
• Use bullet points & icons for easy reading.
• Repeat your CTA button for each section.

✔️ Social Proof #2

There’s no such thing as too much social proof.

Go deeper with testimonials/case studies/reviews.

• Testimonials: Include quotes from satisfied customers, ideally with names and photos, to add authenticity.
• Case Studies: Highlight the results your customers have had.

I dove deep into the science of using reviews here.

✔️ FAQ Section:

• Don’t assume they read the page. Repeat key details.
• Handle the most common objection.
• Don't lay on the marketing speak, just give the facts.

Tip: Ask support and sales for common customer questions and objections.

✔️ Final CTA Section:

Make it glaringly obvious how you can help and how they can take action:

• Hammer in the top value prop.
• Make the CTA clear and persuasive.
• If a form, use as few form fields as possible.

✔️ Footer Section:

• Only link to key conversion pages.
• Make it painfully obvious how to contact you.
• Privacy and Cookies Policies and Terms are mandatory.

Note: Of course, you can layer additional sections as appropriate for your startup. You can add pricing sections. Problem agitation. How it works. Product gallery. Your mission. And so on.

This is a purely skeleton to build on top of.

Quick Tips

• 90% of the work is done by the hero. Make it hooky.
• Your CTA Button should be the most glaringly obvious thing on the page.
• Be short and clear. Optimize for scannability.
• Mobile friendly is mandatory.
• If you have the traffic volume, A/B test regularly to find the copy and images that convert best. If not, get a lot of feedback from people.

Check this off next time you build an LP, and you'll be ahead of 90+% of folks.

Want to get ahead of the rest?

Get our extremely detailed guide walking you through how to perfect each section.

Deleting a Digital Ocean instance is an exercise in patience. 

You have to:

1. Open Digital Ocean’s dashboard,
2. Click a “Destroy” menu item,
3. Then a “Destroy this instance” button,
4. Then manually type in the droplet’s full name,
5. And finally, click a red glowing “Destroy” action.

It takes 30 seconds, at least.

Yet perhaps that’s the correct level of gravity for something that can take your entire business offline forever—the software equivalent of requiring that two people turn two keys to launch a missile.

A bit of friction makes it nearly impossible to destroy a server… or city accidentally.

Friction is not such a bad guy

We’ve been trained to believe that seamless, frictionless experiences are the ultimate goal in product design.

This is true in many cases, particularly for established businesses or categories.

People know what they want and what you offer, so get out of their way.

But it’s not true in all cases—especially new businesses in emerging categories/markets.

Wait, wasn’t it earlier this week that I talked about removing friction through the power of opinionated defaults? Am I now contradicting that today??

Not entirely.

Nothing is all good, and nothing is all bad.

Adding the right kind of friction—positive friction—could be the key to driving engagement, learning from your users, and achieving product-market fit.

Here’s why everything memorable (and valuable) is often hard—and how you can apply this insight to your early-stage startup.

The case for positive friction

Think about Gmail.

When it launched, it was invite-only, creating buzz and a sense of exclusivity. Here's an example of these invite emails from Hash Milan's blog:

Compare that to signing up for most tools today, where the process is so effortless it’s forgettable (ironically partly due to the ease and ubiquitousness of Google login).

The Gmail invite hunt and getting it before your friends made it memorable.

Superhuman took it further.

Its onboarding process involved:

• A survey,
• A 30-minute call with a rep, and
• Deep customization for users

The friction wasn’t a barrier—it was a feature. It helped users feel valued, understand the product, and justify the $30/month price tag for something that’s always been free.

It worked so well that the playbook is frequently run by new startups.

Positive friction can make your product stand out.

It can create anticipation, teach users its value, and build long-term loyalty.

Good friction vs. bad friction

Bad friction is frustrating and pointless—think of the hoops Adobe makes you jump through to cancel a subscription.

Or when you’re signing up for yet another ebook and you’re asked:

When really, all they need is your email address. The rest was likely added to fulfill various requirements for sales and marketing departments.

Positive friction, on the other hand, helps you learn more about your users and makes your product memorable.

Here’s a guide to the types of positive friction and how to implement it, starting from day one.

Pre-Product Positive Friction

1. Early Access Programs

Rather than opening the floodgates, use an early access program to build desire and learn about your customers.

Your job here is to manufacture desire and turn that into action. So invest in design at this stage, and make your landing page look as nice as possible.

Start with a landing page, collect signups, and filter through surveys and calls to identify the most engaged users. This builds FOMO and lets you focus on feedback from your most promising audience.

Speaking of collecting signups for something upcoming...

Due to the success of our paid media agency's first pod, we're at capacity and taking a waitlist for our next pod. We're assembling the next team of rockstar media buyers and creative strategists to scale startups.

We're only accepting 5 startups to start. Join the waitlist now.

2. Strategic Pricing

Skip the free tier—at least for now.

Charge enough to attract serious users who see value in your product.

Pricing acts as a filter—people willing to pay are far better users than the random free trial tire kicker.

Take this up a level, and don’t disclose pricing initially.

Is it annoying? Yes.

But it allows you to dynamically experiment with pricing and see their non-verbal feedback as you disclose pricing.

3. High-Touch Onboarding

Resist automating everything early on.

Manual processes like one-on-one walkthroughs or even handling customer imports by hand help you deeply understand what your users want. You’ll learn which features matter and build lasting relationships.

Example: Airbnb started to see success after they did their own professional photographs of the properties on their platform. Check out these examples from Snappr’s article.

Post-Product Positive Friction

1. Usage-Driven Features

Like gaming’s level-up mechanics, unlock features based on usage. Hacker News requires participation before you can downvote. MidJourney’s web app was rolled out first to its power users (more than 10,000 images generated)

This approach encourages engagement and mastery of your product.

2. Viral Invite Mechanics

Take inspiration from Dropbox’s referral program, where users earned extra storage by inviting friends.

And it’s a perfect viral loop because the more people you collaborate with in Dropbox, the more files you’ll store, the more storage you need, and the more likely you—and each of your collaborators—are to pay and upgrade.

You amplify your reach by tying rewards to engagement and collaboration while reinforcing your product’s value.

3. Intentional Support Friction

Instead of making support effortless, add small steps to ensure high-quality interactions. For example, Arc browser requires users to include a screenshot when reporting bugs.

This reduces frivolous requests and speeds up resolution times, creating better user experiences.

But don’t go this far:

Friction drives traction

The goal isn’t to frustrate—it’s to focus.

Add friction where it helps you learn, where it aligns with your values, and where it turns casual users into loyal advocates. Because sometimes, a little effort makes all the difference.

Thanks again to Enzo Avigo from June.so for this.

Follow Enzo on LinkedIn for his insights, memes, and cheatsheets on product management and PMF.

Check out June.so if you're a B2B SaaS tool wanting better analytics.

Hold up, what’s the difference between hard and soft sell ads?

A hard sell is classic direct-response advertising. Think:

• Bold claims
• Coupon codes, offers, trackable links
• Sometimes (though not always) a focus on product features (not benefits)
• The goal is an immediate sale or at least get you into a funnel

For example, this static ad from Vessi:

Can’t get more hard sell than that really.

With soft sells, the goal is to connect with the viewer by showing them you understand their lifestyle, values, and pain points. It’s not about an immediate sale but rather forming trust that you can trade for a sale (or referral) later.

A soft sell looks like this:

• No pushing for clicks
• No discount codes
• Highlighting your product’s benefit to the viewer (not the features)
• Solving a problem the viewer is experiencing
• Gently positioning your product in the context of something the viewer already finds valuable
• Tapping into the user’s identity

Let’s look at three examples: a B2B one curated by me and two B2C ads curated by Nice Ads.

This first one is from Thermacell

What I love:

• Feels like an organic post. The creator walks through a solution to a familiar audience problem: mosquitos. This is the type of content most folks follow this creator for.
• The creator highlights the product's benefit (rather than a feature). We don’t care how the Thermacell works. But we care a lot about a fun evening outdoors without mosquitos.
• It’s a soft sell. There’s no link. No discount code. They’re earning trust and playing the long game (and hopefully increasing branded searches).

This second one’s from Jack Links:

What works?

• It’s goofy and entertaining.
• The entire video is raw. You can’t tell it’s an ad until the creator specifically highlights Jack Links halfway through. Even then, it’s about 2% of the video.
• This is the type of content people follow this creator for. Simple, but that’s what makes the ad engaging.
• Again, it’s a soft sell. The mention of Jack Links is concise and positions the product as a solution to this audience’s known problem. Hungry while out adventuring? Jack Links is for you.

Last one, B2B this time, and an ad for Instantly

Check out the full post here, but here's the opening:

Why I like it:

• It's legitimately useful content for people trying to set up a modern cold outreach practice. It gives free value.
• It shows how Instantly fits into a workflow, removing the confusing guesswork for them.
• In no way does it feel like it's promoting Instantly. They aren't mentioned until tool #4, and there are 4 other tools mentioned.

This organic post is now being promoted by Instantly as an ad to drive leads to their product (using the Thought Leadership ad type on LinkedIn).

Often the best ads are great organic social posts.

Just so we're clear, we don’t hate hard sell ads. Far from it.

They’re valuable and have a place in most solid ad strategies.

The ideal playbook is a combination of hard and soft sell ads, for example:

• Hard-sell ads targeting folks who watched or engaged with soft sell ads.
• Soft-sell when using influencers (as they’ll be concerned about enraging their audience, and a more organic plug will likely perform better).
• Or even soft-sell organic content and promote it if it does well.
• Hard sell for retargeting campaigns.

Use both in your ad strategy to grow fast and far 🙂

The Internet used to be extremely ugly:

• Flashing banner ads
• Under construction signs
• Horrible font and color choices.

To compete, stand out, and build trust, people started making websites look prettier, more trustworthy, and higher production value. 

With each new competitor and campaign, we all kept raising the quality bar.

The problem now? 

Everything is incredibly manicured and over-engineered.

YouTube is all $50k camera and lighting setups. Instagram photos are heavily edited and filtered. Some websites look like pieces of art.

How do you stand out now? By reverting back to the ugly days.

“Ugly ads” and low production value content is on the rise. We talked previously about Sam Sulek’s massive success on YouTube despite (because of?) ugly thumbnails, terrible titles, horrible lighting, and zero production value. 

When taken to an extreme, ugly ads stand out, make you double take, and make you share them.

But they can also masquerade as regular, organic content.

Here are some amazing “ugly,” yet effective, ads

Brand: Surreal

• Screenshot of interface on a billboard, lolwut?
• Hilariously bad graphic design
• Purposely lazy, fourth-wall breaking ad copy

Brand: Wandering Bear

• “In the wild” shot of the product in action
• Looks like your dad took a photo of his fridge and posted it

Brand: Nuts.com

• Excessive close-up with odd cropping
• A+ pun work
• Scribbled ad copy on a box and post-it

Brand: birddogs

• X vs. Y comparison making alternative look bad
• Instagram story aesthetic
• Emojis for familiarity and casualness

Brand: Harry’s

You can find the full video in this collection.

• Low budget phone video of their competitor in store
• Looks completely organic
• Makes you immediately curious

Ugly Ads work for a few reasons:

If they’re over-the-top hideous:

1. They look completely different than everything else in our feeds.
2. It's incomprehensible someone would make an ad that simple or ugly, so it's surprising and delightful.
   • Like when Surreal creates an entire billboard of a screenshot of a horrible, fourth-wall-breaking ad made in PowerPoint.

If they’re just low production value:

1. They look and feel like organic posts.
2. We crave authenticity, simplicity, and rawness.

Next steps

Next time you’re creating ads and content, try taking the opposite approach to what you’re used to. Specifically make an ad that looks low production value.

And shout out to the king of ugly ads, Barry Hott for making a lot of these. Follow him for inspiration.

To learn more:

• Check out a repository of Barry Hott’s ugly ads
• Check my carousel with 6 more examples of ugly ads and why they work—my top LinkedIn post of all time.

Oatly asked a kind of dumb question.

“How can we sell oat milk to people who don’t drink it or want to drink it?”

Aren’t we supposed to sell to people who actually want your product?

But by doing so, instead of going after the small market of not-milk drinkers, they went after the gigantic market of cow milk drinkers. And they did that with bold branding, going after baristas, and some insane marketing campaigns.

Last week we talked about how companies in boring categories (like oat milk) need to either keep it super simple (puppies on a toilet paper package) or need to make it interesting by being over the top fun/ridiculous. Oatly has taken the over the top route. 

Let’s highlight 3 of their most clever campaigns:

It’s like milk but for humans + F*CK OATLY

This is one of Oatly’s primary marketing messages—subtly reminding people how odd it is that we drink milk intended for baby cows:

These ads got Oatly banned or sued in countries like Ireland and Spain with influential dairy unions.

In response, they created fckoatly.com, pretending to be anti-Oatly:

They didn’t stop there; they made various satirical sites pretending to hate the anti-Oatly or anti-anti-Oatly sites. Here’s fckfckoatly.com:

They go all the way to fckfckfckfckfckoatly.com until they ask you to call a number.

The Dairy Deal

Next, they went after the dairy industry’s climate impact by buying billboards and print ads like this all over the place:

They’re challenging the dairy industry

And if you go to the URL in the corner (oatly.com/DairyDeal), it takes you to a full site pitching the deal to dairy reps (actual deal with up to 140k GBP value):

Note: I think it would have benefitted them if they published the number somewhere in the marketing since otherwise people wouldn’t really know these stats:

Paris cleverness

Paris has some funny laws. 

A mural advertisement can’t contain both text and an image of the product. So they painted a bunch of bold, text-only murals, and then cleverly positioned objects in front of the walls to complete the picture:

To dive more into some of Oatly’s top ads, I’ve compiled them into a carousel.

We want to be the Patagonia of dishwasher tablets.
We want to be the Apple of accounting software.
We want to be the Lululemon of toilet paper.
We want to be the Tesla of bathroom grout.

Being the something of something is attractive because it’s shorthand for a lot of hard to describe elements that make up a brand.

But obviously these above statements are all a bit ridiculous. 

What makes them ridiculous is the total mismatch between the brand's sexiness and the product category's utter lack of sexiness.

In short, as Alex puts it, “the inherent interest level of a category determines how nuanced and complicated the strategy can be.”

• Interesting = nuanced, sophisticated and rich brand strategy
• Boring = simple and to the point strategy

Here’s Alex’s complex graph to illustrate the concept:

Let’s dive into examples to illustrate this.

Examples of inherently interesting categories:

• Cars
• Health
• Beauty
• Fashion
• Investing
• Furniture
• Travelling
• Technology

With all of the above you can think of various examples of interesting brands that spend countless dollars building a rich brand identity. Tesla, Nike, Athletic Greens, Apple, Airbnb, Lululemon, Patagonia, IKEA, LVMH, L’Oréal.

People spend countless hours researching these categories. They’re hobbies. They’re down-right obsessions for some people.

Examples of inherently boring categories:

• Cleaning supplies
• Office supplies
• Toilet paper
• Accounting
• Appliances
• Insurance
• Oat milk
• Taxes
• Paint
• Law

Most people want to spend as little time thinking about these categories as possible—get in, buy something, and get out. Please never mention it again.

If you sell toilet paper, a legitimate strategy is to slap some puppies or kittens on the package to indicate it’s soft. People already know why soft is good. Try to sell people on your brand values and people will roll their eyes.

Here are some examples of brands who have managed to make their boring product more interesting by keeping their strategy simple:

Oatly

Non-dairy milk alternatives is a boring category. So Oatly differentiated with absurd branding, advertisements, and marketing schemes:

Liquid Death

Is there anything more boring than water? 

Liquid Death opted to be the opposite of all other boring water brands by leaning into absurd death metal vibes and wacky advertisements like this:

Who Gives A Crap and Dude Wipes

Toilet paper is one of the most boring and uninteresting categories.

Both Who Gives A Crap and Dude Wipes didn’t try to win you over with complicated brand values, instead they went for “let’s be a fun toilet paper brand” 

Who Gives A Crap relies on its funny name and fun packaging:

Dude Wipes leans in harder with puns (and a more specific audience):

How to determine if your category is interesting

A great test to measure a category's inherent interest level is to look up how many big YouTubers exist in the category and its subcategories.

There are countless YouTubers who just talk about cars. There are even a ton who just talk about Teslas. Therefore, cars are clearly interesting, so you must have an interesting and nuanced strategy to compete.

None exclusively talk about toilet paper. 

Therefore, it’s clearly not interesting, so you must keep it simple.

Check out Alex’s full article for more, or read his book. And otherwise, check out our Growth Vault for more lessons on strategy.

“What you see is all there is.”

– Psychological bias coined by Nobel Prize-winning psychologist Daniel Kahneman.

Brains are lazy. We tend to only evaluate the information that’s currently presented rather than tapping into all our knowledge about the world.

Smart marketers use X vs. Y content to leverage this psychological bias.

For example, this ad for Loop earplugs:

Now, you’re only comparing Loop earplugs to the old foam ones—not the much better custom-molded earplugs.

This comparison causes you to tunnel vision on how they present the options, allowing them to control how you perceive them.

Take note of all the clever things the ad does to make the alternative look unappealing in comparison.

This is called the X vs. Y content type, where you compare two things, situations, or states of being, usually one “good” and one “bad,” with an interesting takeaway.

Usually, the “good” represents the thing you sell, either directly or indirectly.

This is easiest to understand with more examples:

X vs. Y examples

You can use X vs. Y in ads or in organic posts.

And you can either directly compare your product to competitors or indirectly compare two things related to your product.

Let’s dive into what this looks like:

Direct product comparisons:

This healthycell product is a bit odd. People expect to take a pill to help sleep, not use a tube of gel. This ad quickly demonstrates what it’s for and shows the entire pharmacy you’d have to swallow to replace it.

And this Huel ad positions the product and controls the narrative effectively by comparing a Huel meal to just instant noodles (not a home-cooked meal) on metrics it can easily crush it on:

Here I launched our ads agency for startups by comparing how most ads agencies work versus how ours works:

Indirect comparisons:

These examples don’t compare two products. Instead, they compare more complex things, but the goal is still to build intention for their product.

The most famous of course, is Apple’s “Get a Mac” campaign, where instead of comparing a Mac directly with a PC, it compares the type of people who use them:

This optometry company shows how the world view you with and without glasses:

Nikolas Konstantin is a CEO Coach with a focus on mindfulness. He uses this graphic to illustrate people’s errors in how they approach health. His mindfulness coaching services are more attractive when you share that world view:

Rob’s carousel doesn’t directly compare his SEO agency to others. Instead, it sneakily highlights his values and expertise in SEO:

Ways to frame X vs Y ads/posts

• Using your product vs Not using it
• Competitor vs You
• When you do X vs Y (or don’t do X)
• Before vs. After
• Past vs. Present or Present vs. Future
• What people want vs. What they get
• What people think vs. Reality
• Group A vs. Group B
• Perspective X vs Y

There are endless ways to do this. Use the above examples to get started.

Dive into my carousel for 17 examples and their timeless marketing lessons.

Read this ad (forwards and backwards):

Source: @dailyadcoffee

Copywriter Jon Morrow defines power words as “persuasive, descriptive words that trigger a positive or negative emotional response. They can make us feel scared, encouraged, aroused, angry, greedy, safe, amused, or curious.”

These emotions drive action.

What’s remarkable about this ad from Patagonia isn’t that it uses power words. All great copywriting does.

But it taps into different emotions depending on the order you read it.

• Reading from the top down, they cause anger and anxiety: screwed, it’s too late, we don’t trust anyone, we don’t have a choice.
• From the bottom up, the emphasis changes entirely to hope and encouragement: choice, livable, imagine, healthy future.

Brilliant. Read it again to notice how this affects you.

(tbh I also love the hook of "we're all screwed.")

The poem is followed by the tagline, “Buy Less, Demand More.” That’s shocking from a retailer and extremely affecting.

The takeaway? Appeal to your readers’ emotions.

We justify with logic, but emotions drive our actions. Emotions are why we:

• Share things that go viral
• Donate to causes
• Buy what we buy (or don’t buy what we don’t need, in the case of Patagonia).

Let's dive into the data of the viral power of emotions:

The viral power of emotion

Jonah Berger's (author of Contagious and Wharton professor) research shows that activating emotions like anger, excitement, amusement, and awe drive action more than happiness, sadness, and contentment.

Here are the stats from analyzing thousands of New York Times articles:

• Awe inspiring = 30% more likely to share
• Anger = 34% more
• Anxiety = 21% more
• Amusement = 29% more
• Sadness = 16% less

And positive emotions are 13% more likely to lead to being shared. So much for the classic adage, "If it bleeds, it reads."

Consider how your copywriting instills awe, fear, amusement, anxiety, arousal, anger, greed, safety, or curiosity. If, instead of triggering a high-arousal emotion, it makes you feel merely content, a little bit sad, or just kind of bored—rewrite.

Thanks for reading.

Dive into 50+ copywriting tactics in our Growth Vault.

Copywriting is one of the most important skills.

Particularly for founders and marketers.

Here are 6 simple and effective tips to improve your copywriting. 

Use them to rewrite your ads, landing pages, and that email in your drafts asking your boss (or cofounder) for a raise.

1. Make it about them—not you (your product)

People don’t care about your product. They care what your product can do for them.

What problem are you solving for them? And how does their life improve as a result? 

Here are some company examples:

2. Make it relatable

Selling something novel or complex? 

People don’t buy things they don’t understand.

Relate your product to something they already understand perfectly. They’ll get it immediately.

Metaphor example:

• Bad: Portable MP3 player with 8GB of storage
• Good: 1,000 songs in your pocket

Analogy example:

Note: The “no fees” is an example of “objection handling”—preemptlively addressing the most likely objection.

Ask current customers how they explain your product to a friend. Find the analogies and metaphors they use.

3. Cut the fluff

Do free flow writing. Then ruthlessly cut words that don’t add value:

• Adverbs
• Adjectives 
• Filler

Fluff weighs down copy and makes it harder to read. 

4. Use simple words

Even someone with an IQ of 160 enjoys reading at a 5th grade level:

• Avoid industry jargon. 
• Pretend you’re explaining it to your grandma or nephew.

It doesn’t matter how educated your audience is:

Harder to read → less engagement → less growth

Tip: Use the Hemingway Editor to check the readability.

5. Be specific

Don’t make people think—be specific and concise. 

Specificity helps people quickly understand your value.

Numbers and descriptive details work great. But only if they show the value customers get from you.

Remember: Only you think your value is obvious.

x6. Use active voice (not passive)

Active voice results in shorter, sharper sentences that are easier to follow.

But what does that mean exactly? Here’s an example:

The active voice makes your customer the hero of the story, and your product is the supporting character—not the other way around. This makes it far more compelling and easier to imagine.

Copywriting cheatsheet

Which is your favorite? Hit reply and let me know.

The Bullseye Exercise Framework helps you narrow in on the most effective marketing channels for your startup—rather than spreading yourself thin over all 19 growth channels.

It’s not perfect as presented and leaves some things to interpretation

But I’ll help fill in some blanks with other frameworks/data.

Let’s walk through it step-by-step:

Steps to Implement the Bullseye Exercise Framework

1. Brainstorm: Generate ideas for each of the 19 traction channels (see below).
2. Rank: Prioritize the channels based on their potential impact.
3. Test: Conduct cheap tests to validate the highest potential channels.
4. Focus: Double down on the most effective channels.

Let’s dive in.

Step 1: Brainstorm

Identify all potential traction channels that could be used to attract customers. The 19 traction channels are:

1. Viral Marketing (going viral organically on social platforms)
2. Public Relations (PR) (pinging journalists)
3. Unconventional PR (going viral with publications)
4. Search Engine Marketing (SEM)
5. Social and Display Ads
6. Offline Ads (billboards, radio, etc)
7. Search Engine Optimization (SEO)
8. Content Marketing
9. Email Marketing
10. Engineering as Marketing (product-led)
11. Influencers
12. Business Development (BD)
13. Sales
14. Affiliate Programs
15. Existing Platforms
16. Trade Shows
17. Offline Events
18. Speaking Engagements
19. Community Building

Write down at least one idea for each channel, even if it seems impractical.

Step 2: Rank

Rank the channels based on three criteria:

1. Potential: How big is the channel’s audience, and how well does it align with your target market?
   1. Writing the hilariously large size of the channel’s audience is silly and feels like something you'd do in a business plan. I would focus on how well it aligns with your target audience.
2. Cost: How expensive is reaching and converting customers through this channel based on the channel and your resources? For example:
   1. Ads = $$$
   2. Outreach = effort
   3. If you're a skilled writer, you can create content yourself.
3. Feasibility: How realistic is it to successfully execute a test in this channel with your current resources and capabilities?

Ex: If you have zero budget, a lot of ads is off the top.

Prioritize the top three to five channels that score highest across these criteria.

I feel like this part is missing a lot of guidance.

Not all of these things work for all kinds of businesses. I recommend using this chart from Right Percent as a guide (I wrote about it previously here):

Step 3: Test

Startups have limited resources. Always best to test first.

Red Bull can commit to the Stratos jump because they can afford to. But you should start small scale.

Design inexpensive tests to validate the potential of your top-ranked channels.

The tests should provide enough data to understand if the channel can be a significant source of growth.

Let’s use Lenny’s Racecar Growth Framework (covered here) to give better guidance on how that might look. Check out the Kickstarts and Turbo boosts:

Other testing methods include:

• Running a small ad campaign. It likely won’t be profitable at first, but as long as it’s generating conversions roughly in the right ballpark.
• Reaching out to a handful of journalists for PR.
• Creating content on LinkedIn for a couple of months.
• Setting up a basic affiliate program and contacting your list.

Measure the results in terms of cost per acquisition (CPA), conversion rates, and overall engagement to determine which channels are worth further investment.

Look for clear winners.

If there are no clear winners, keep testing.

Step 4: Focus

Once you find a winner, go hard.

In the Racecar Growth Framework, that’s the Growth engine. The self-perpetuating engine where growth begets growth (ex: profitable ads → more budget to run ads). Another name for these is Growth Loops.

Allocate more resources to these channels and scale your efforts. Continue to monitor their performance and make adjustments as necessary.

Practical example

Let's say you're launching a new productivity app.

After brainstorming, you decide to rank and test the following channels:

1. Sales: Cold outreach campaigns.
2. Community Building: Create a community.
3. Social and Display Ads: Run Facebook and Google Ads.
4. Influencers: You convince or pay influencers to talk about you.

You run small tests for each:

• Sales: Create very targeted lead lists using LinkedIn. Write very personalized messages and offer free value. 
• Community: You become active in existing productivity communities—easier than making your own.
• Ads: You run a small-scale ad campaign pushing towards the product/lead magnet.
• Influencers: You recruit a few micro influencers to post about you.

Then based on the results, you’ll decide to lean into one of these and make it more scalable.

The goal is to find a scalable growth engine that’s right for your startup where it is now. Use this framework to help you find it.

Jenny has 1.6B views on 124 YouTube Shorts, averaging ~13M views per video.

Previously, we covered the overall structure she uses for her videos, but she recently shared a teardown line-by-line, second-by-second for one of her videos with 21M+ views, How Many Ice Cream Flavors Can You Get with $1?

Let's dive in!

Note: These tips apply to any short-form video content, including B2B video ads.

The Hook

Here’s the opening Hook:

Hook Takeaways:

• Get right into it. No pre-ample. Just start doing it and explain as you go.
• Don’t waste time saying anything explained visually. She didn’t need to say “of frozen yogurt” because you know that already.
• Use visuals to aid comprehension. The $1 bill on the cup visually reinforces the concept of “she only has $1, and it’s going to be spent on froyo.”

Note: Hook and explain quickly. Check out the 1,3,5+ framework for more.

Foreshadow/Context

Next, she sets the stage with conflict and stakes with the line: “That’s going to be like $20 and it’s only vanilla:”

Takeaways:

• Quickly give context on what they need to watch the video. If a cup with a single flavor costs $20, then it will be hard to get a lot of flavors for $1.
• Her over-the-top facial expressions are to show you how to feel.

Transition

Then, she Transitions into the main action of the video seamlessly: “So I brought a tiny cup to get every flavor without spending more than a dollar.”

Takeaways:

• Transition into the action quickly and seamlessly. Don’t waste time standing in front of the camera intro’ing. Just explain as you’re doing it.
• Recap the concept again. You’re hitting people with a lot of info at once, and you randomly came up in their feed. Keep reminding them and re-hook them.

Body

Then she fills the tiny cup with froyo and does a lot to keep you engaged:

She adds drama to make it interesting:

• The machine spits, and her mom says: “They’re going to kick you out.”
• She introduces the main struggle (with intense music), “I was more concerned that the more flavors I added, the less space I had in my cup.”
• She purposely makes a “mistake” by adding the same flavor twice.
• She eats a bit of the double flavor and asks, “Is this cheating?” and her mom says they’re going to call the cops on her.

She inserts her CTA halfway through the video with a subtle comment from her mom: “All this for one subscriber,” which gets people in the mindset to subscribe.

• Add CTAs in the middle of the video at peak action rather than at the very end. A big virality signal is someone re-watching your video—a boring CTA at the end prevents that.
• But it’s also smart, as many people will bounce right after they get the payoff from watching the video (seeing how many flavors she can fit and if it’ll cost less than a dollar). If you do the CTA first, almost everyone will see it.

She adds a visual reminder of the concept and the progress:

Conclusion

• As she finishes and walks towards the scale, she says: “14 ice cream flavors, is it going to be less than a dollar? This reminds people of the premise, so they’re more invested in the answer.
• Her mom says: “No, I don’t think so,” to add drama.
• She stands there holding $1 and looking stressed to add drama and continue to reinforce the concept.
• She uses intense, crescendoing music and a series of fast cuts between her face and the cup, like a drum roll, to add drama and intensity again.
• She subtly encourages people to watch her other related video by ending the video with her mom saying, " No ice cream for you again!”
• It ends abruptly, as her mom says that, so the video's retention rates are high throughout (if you linger after the high note, people won’t re-watch).
• Again, don’t put the primary CTA here. Put it earlier in the video when everyone is hooked on watching it, or do it subtly as she did.

Want to learn more? Watch Jenny’s full video, her analysis, our previous breakdown of her Short structure, and her interview on Creator Science.

It doesn't matter if you make organic content or ads; this is key info.